Linda's Magic Workshop - Linda Britt Design

The stone I selected for my class project is a Plume Agate.   I did not realize how healing the process of setting it into silver metal clay would be.  As you know, Prescott had two fires close by this summer – the Doce Fire and the Yarnell Fire.  It is not possible to have a fire close to your town without being affected.  It is not possible to lose 19 firefighters in one of those fires without being affected.  When I selected this stone, I saw plumes of smoke with the sun setting behind them.  I saw the burned ground with the lacy texture at the base of the stone.  I saw the beauty and the destruction of fire and I knew this was going to be my commemorative piece.  As I sketched the design for the setting, I wanted to emphasize the texture at the bottom of the stone.  I wanted to keep the main part of the setting simple so the eye would go to the plumes and I wanted to continue a flame from the front to the back.    The fine lacy texture at the base of the stone contin

 2 Silver Clay Tortoises and 1 original sculpture  The last post about the tortoise left you hanging…..... with a mold ready to use!   The original sculpture was done with polymer clay and baked.   The mold was made with 2 part mold compound and I was concerned about his head and made a second one.   Just a note here….the first one was the best! For those of you not too familiar with silver metal clay, here is a brief description.   The clay is made of micro filaments of silver (recycled I understand) and blended with an organic mixture so the clay is malleable.   It dries pretty quickly so it is important to work quickly and keep the clay moist.   Getting the two parts ready In the case of my tortoise, I conditioned the clay and pressed it into both parts of the mold and let it dry.   Then I removed it from the mold and was anxious to see how the two parts fit together.   With a little adjustment they did well!   After cleaning the insides and sanding them so that the sides

After my last post on the Reptile Show, I have decided to make a tortoise out of silver clay.   Thank goodness I have artistic license!   My vision (goal – hope) is to make a small recognizable tortoise that could be duplicated and used as a ring, a pendant, earrings, or beads.   Not having done any of this before, I decided to share the experience with any of you who might be interested!   First I need to decide on which kind of tortoise….so I Googled ‘tortoise’ and got some amazing pictures.   What a variety!   After looking and thinking, I selected the Star Radiated Tortoise.    It has a very pronounced star pattern and will be a challenge.      My plan is to carve a small tortoise out of polymer clay, a medium that is easy to work with and manipulate.   I chose red because I like red!   I put my new Craftoptic glasses on and start conditioning, moving and carving  referring to the pictures.   As I work with the polymer clay, it gets warm and a little squishy so that my finger pri

Have you ever started a project and all of a sudden you realize your concentration is focused on a part of the project and you aren’t progressing?   You’re just stuck thinking about the same thing over and over?   Well, as most of you know, I make jewelry using silver metal clay.   I like to put the Mojave Stone cabochons that my dad cut and polished in bezels and design around the stone.   Let me share with you how I got stuck in the process.     Bezel shaped to fit a stone  I decided that I would make the bezels (the thin strip that goes around the stone and holds it in place) out of the same silver metal clay as the setting.I made a mold for the stone by pushing it into polymer clay (plastic clay that holds its shape) and carefully removed it.   Then I poured jeweler’s investment (that is a type of plaster) into the mold, let it dry and used it as a plug.   The plug holds the space for the stone and can be fired with the clay in a kiln.   Some stones can be fired in the k