Linda's Magic Workshop - Linda Britt Design

It’s been a while since I made a ring.   In fact, it had been years.   And when I was going through my supplies, I realized that I needed to use more of my silver clay stash.   Now might just be the time to make a ring. The design I had in mind incorporated holes into a shaped band.   Out came my books and I started reading and remembering. I wanted a size 6 ring and measured 2 sizes larger.   In the end I should have made it 2 ½ inches larger for the shrinkage…next time. Should have made the size a little larger for shrinkage I rolled my silver clay 4 cards thick, planned where the holes would be and cut them with a fine pointed tool.    Since I wanted a shaped ring that was higher in the center than the edges, I dug out my seldom used cork clay and dampened it.   Then I rolled a snake with tapered end and put the clay over it as I wrapped the clay around my ring mandrel that I previously covered in a wrap paper.   Marked where ...

Last time you read about the tortoise project, the silver clay was ready to fire.   After programming the kiln and waiting the required time, I held my breath and opened the door.   There it was!   Of course I had to try it on to see if it fit before I did anything else.   Success! When silver clay gets fired, the organic part of the clay burns up and the heat fuses the micro filaments of silver to become 99% fine silver.   After the firing the silver looks white.   Once I brush it with a brass brush, the color turns to the silver color one expects.      Now comes the sanding and polishing.   I want to be able to see the pattern of the tortoise better and that requires a patina of liver of sulphur.   The water is warm when I put a small amount of the liver of sulphur gel, mix it, and put in the silver pieces.   After the silver pieces start to darken to the color I want, they will go into a separate dish of wate...

 2 Silver Clay Tortoises and 1 original sculpture  The last post about the tortoise left you hanging…..... with a mold ready to use!   The original sculpture was done with polymer clay and baked.   The mold was made with 2 part mold compound and I was concerned about his head and made a second one.   Just a note here….the first one was the best! For those of you not too familiar with silver metal clay, here is a brief description.   The clay is made of micro filaments of silver (recycled I understand) and blended with an organic mixture so the clay is malleable.   It dries pretty quickly so it is important to work quickly and keep the clay moist.   Getting the two parts ready In the case of my tortoise, I conditioned the clay and pressed it into both parts of the mold and let it dry.   Then I removed it from the mold and was anxious to see how the two parts fit together.   With a little adjustment they did well!   After cleaning the...

It seems that man has always wanted to express himself with drawings.   Early man often used stones to peck on rocks as well as paint to leave his messages.   He recorded ceremonies, hunts, dreams, maps, animals and daily life.   Just to clarify the terms: ‘pictograph’ is anything depicted on a stone surface – carved, pecked or painted. ‘Petroglyph’ is the technical word for anything carved or pecked.   I’ve always been fascinated by pictographs.  And I take photographs of the images whenever I am fortunate to find them. Hopi, Pueblo, Paiute Navajo and Anasazi have left drawings on rocks all over the Southwest.     It is great to live in this area of pictorial wealth!   I just came across William Michael Stokes and William Lee Stokes book “Messages on Stone – Selections of Native Western Rock Art “.   The images are divided into types – Apparel and Adornment, Birds, The Corn Maidens, Design, etc.   Great little book for kids and adults! ...