Linda's Magic Workshop - Linda Britt Design

Eight years ago we went to Ecuador and, of course, I took hundreds of pictures.   A few of those pictures were taken in a place where there was a Reptile House and lots of flora.  In a small area of the garden was a plot of the most interesting white succulent plants.  They reminded me of the green agave in Arizona but the ones in Ecuador were white.  It felt like I was seeing a black and white photograph.  White Plants of Ecuador - real color! A few months ago, the Prescott Art Market decided to have a quarterly art competition and anyone that had their work in the market could enter.  A 20 x 20 canvas with black edges done in colors of the season was the requirement.  I did not participate in the autumn competition but decided for the winter competition that I wanted to do something with polymer clay using the white plants of Ecuador as inspiration.  What I had in mind was a 3 dimensional painting made of polymer and everything about it would be an experiment .  I thou

                When I took the original picture of the white seed pod, I had no idea it would be the beginning of a series.  First there was the challenge of making a translucent polymer seed pod, then came the seed pod jewelry.  Now the seed pod made of sterling silver metal clay.   I think this is the last of the series.  It was fun to take the idea from photo to translucent to solid forms.   I've  learned a lot about forming and joining shapes in different mediums and about patience and experimenting!  So here is the  procession  of the 2013 Seed Pod!

I've been stuck in seed pods this fall! This is my sterling silver piece.  I thought it might be difficult to mold the silver clay into the correct shape and of course I tried several forms to accomplish the support. Among some of the solutions were egg cartons (they were not quite the right shape), paper (it did not hold its shape) and microsphere clay (it was too crumbly or I did not have the expertise to use it). Finally I rolled the clay to 4 cards thickness and used my paper pattern to cut 4 sections of the pod.  This is the same pattern I used to make the translucent polymer pod.  Then I used big bead of air dry clay as supports for the sections.   I also used a special form I made to be sure the 4 sections would fit together correctly and dried them separately.  Once dry, I knew I could sand and glue them together with water and clay and they would keep their shape.  The same texture plate was used as in the previous polymer seed pods and love the way

My father loved rocks.  He was happiest when he was rock hounding or cutting and polishing rocks.  As a child, I did not want to have anything to do with my father's hobby of rocks or rock hounding.  And that was definitely my loss.  Today I have many cabochons that he cut and polished.  It is why I started designing and making jewelry.  One day I came across Cynthia Tinapple’s information on making rocks and I took her Craftscast class http://www.craftcast.com/class-or-recording-item/166269-making-beach-pebbles-from-polymer-clay .  I've been collecting tips from other polymer artists and I decided that would be my first project for my ‘Polymer Clay Personal Workshop’!  Before Curing - nature's rocks in center I can almost hear my father say, ‘You made rocks?  Why?  You can just go out and pick them up!”  I guess my answer would be, ‘Because I can!’   I remember him being astounded that I bought large rocks for my yard in Tucson.  His comment as he shook

I have an idea about making flowers from polymer clay and I know I will have to experiment to get the idea to become a reality.   I want to use translucent clay with some color and I want to control the shape of each petal.   I’m also thinking large rather than tiny.   I want the petals to glow as the light comes through. Ready for the oven I began by using Premo translucent clay and Premo 5504 Fushia.   I conditioned each one separately. The fushia was rolled on a 4 setting and the translucent clay between 2 pieces of rag paper on a 5 setting.   The translucent slab went down first.   Then I sliced the fushia into 3/8” strips and layed them criss-cross on the translucent.   My multi colored fushia, gold, and copper foil went down next and another slab of translucent on top of that.   I rolled all that on a 1 setting and then cut the petal shapes.   I made a general paper pattern and kept cutting it smaller as the petals got smaller. Planning the Necklace I also made a

Last Friday I shared by first sterling silver clay project - the bead end caps that I formed by hand.  This Friday I wanted to share my next experiment with bead end caps.  These are made with fine silver clay and I used a 2 part mold mixture from Cool Tools instead of hand forming them. The mold I made 2 parts to the mold and rolled my clay to 2 cards thick.  Placing the clay into the deep mold was more difficult than I anticipated.  The clay cracked and I had to repair it in several places.  It was a little scary taking the two parts of clay out of the molds.  After I wiggled the silicone mold, both pieces popped right out.  While they were drying on the cup warmer, I rolled the clay for the next end cap.  This time I rolled it 3 cards thick and it was easier to put into the mold halves.  It did not crack. Drying in the mold Drying on the cup warmer After both halves were dry, I attached them with clay paste and set them to dry again.  Sanding and smoothing and t