Linda's Magic Workshop - Linda Britt Design

Flexible Copper (Hadar's Quick Fire) There's been a flurry of metal clay in my studio.   My late winter goal was to use the older Hadar  clay that I have so I can focus on her new One-fire clay.   Over the years (yes it keeps that long in powder form) I've collected many containers of Quick-fire bronze, copper, steel, etc.  They take longer to fire and have 3 stages of firing instead of 2.  Hadar's Flexible Copper  My mid-west background of using and saving kicked in and I would not allow myself to use the new One-fire clay until all the other was gone.  So I started creating.  First I was just going to make some simple earrings and then a pendant.  Pretty soon I wondered how I could make some pieces using tools not used before.  One thing led to another. Crisco Ad Engraving A metal engraved stamp for a Crisco ad that my mother saved became a necklace.  When this piece was fired, it separated in two p...

One of my goals is to use my last container of Hadar’s Steel XT clay!  I want to start on some of the new clay and am determined to use patience as I deplete my stash of the older clay.  Here goes a new project! Usually I just thumb through my new book Art Forms in Nature book by Ernst Haeckel but for this project I wanted to get serious and really think about the underlying structure or skeleton forms in nature.  Focusing on a couple of pages that reminded me of what sea creatures might look like under their shells, I sketched some ideas, closed the book and started to create. Mixing Hadar’s clay is so easy – as long as I creep up on the amount of water and not get it too wet - and it has a reasonable working time.  After mixing the steel XT clay it went into the refrigerator as I made the molds for my creation. Several months ago, this muffin pan, a treasure from a thrift shop, was sawed in half to fit into my convection oven for polymer clay....

A week ago I posted in Face Book that I had finished several pair of earrings made from Hadar’s clay.  I was experimenting with techniques from her book, The Handbook of Metal Clay Textures and Form, and I promised to share my experience with you.  The larger oval pair of earrings (lower left in photo) combines Brilliant Bronze and Copper.  I carved curvy stripes in the copper oval and laid in snakes of bronze, sanded flat and fired.  I know I could polish and make them smoother and shinier but I like the more rustic look.  I used Baldwin’s Patina to bring out the color contrast. The upper right pair of earrings also combines the bronze and copper.  The back textured layer is bronze and the smaller rectangle is copper.  I was concerned that the copper might be too thick and not bond well but as you can see – no problem! The earring on the lower right also has a backing of bronze.  I carved horizontal strips and laid the copper sna...